Firewood Holders Design by Ak47 Italian Company

Firewood Holders Design by Ak47 Italian Company has taken great care in choosing the furniture materials with which to make the products. Firewood Holders Design at man is the focal point of the Ak47 design themes. Strong single identities which, combined with effective serial features, are represented in Ak47 products. A constant challenge that stimulates, contaminates and fascinates anyone who relates to the Ak47 philosophy. New projects that have not been overworked by the many companies that design and produce in the world.

Firewood Holders Design by Ak47 Italian Company

Man as a symbol of imperfection, of natural evolution, of uniqueness that is able to add value to the eyes of the attentive observer. Here we propose industrialised craftsmanship. The search for detail not only in the end product but in all its processes: from the drawing board to production and packaging.

Wbox tidy linear form and Flat may even escape notice.

Simplicity, essentiality, care for details and functionality…Wbox, a tidy linear form, strong and sturdy. One series, with different variations to suit different needs. Flat may even escape notice. It climbs up proudly, restrained and discreet, only apparently concealing its contents: but its elusive shadow escapes its control, irreverently revealing its secret.

The support wood blend together and two structures which, side by side.

The support and the wood blend together: the asymmetrical structure holds its content naturally. It is the triumph of nature, with its own colour and perfume. An expressive,  structure holds, a material that can be transformed every time into an unusual, unique and singular result. Two structures which, side by side, seem to dance a harmonious tango: the warmth of the wood is supported and guided by the decisive step of the metal. And the enraptured audience just sits there and looks.

It stands there in tranquillity, and even a crumbling wall can guide.

It stands there in tranquillity, straight and vigilant. Tall and severe, even noble in its elegance. That is its charm, its irresistible fascination. Even a crumbling wall can guide the imagination of an artist…Strong iron can be dominated, subdued and modelled. The hard material is enhanced and imposes its qualities with all its strength.

It can hold a great load, and a new suit for Albert.

It can hold a great load, but it is brilliant and easy to handle. It is agile and moves on command, and immediately returns motionless. They say it can even climb the stairs, it would seem a conjuring trick, but it isn’t a trick, it’s just skill. Albert+: a new suit for Albert, sharing the same structure. A less synthetic but more reserved version, which hides a large part of its content.

A taut, decisive structure, and a flexible structure that is modified.

A taut, decisive structure, the wood completes its form, containing its sharp line. A flexible structure that is modified under the pressure of the wood, an elastic body reaching upward with an irregular line. The idea of change, the desire to create not a stable subject, but a living, dynamic product.

Tapes twirl dance, and the stars who steal show.

Not all tapes twirl and dance, going forward and back. This Tape stops, linear and thin, vertical and slender. It climbs the wall and stops there, motionless. It is almost hidden and the wood seems to be suspended. That is the effect it produces: not impressive and sculpted, but unexpected and discreet. Sometimes it is not the stars who steal the show. In Nuvola the invisible structure is dominated by the wood. Reserved yet necessary, it takes a step back. Perhaps this is the ideal agreement: the indissoluble combination of weight and lightness.

Like a flame, a living body that flickers and burns.

Like a flame, a living body that flickers and burns, Flex is a shape in continuous elastic movement. It lies peacefully down on itself, enclosing the wood in an embrace, or arches decidedly to become a seat: its curves change direction to receive the tired passer-by.

Formal neatness and extreme simplicity.

Formal neatness and extreme simplicity. Functionality and synthesis. Mobility and versatility. A firewood holder, a seat or maybe even a stand for a flower pot? It moves with ease because it has wheels, but you can’t see them, they’re hidden.

Quite round, small and compact, it rolls away into a corner.

Quite round, small and compact, it rolls away into a corner, moving from one side to the other on its wheels, dashing and bouncing. Pellets, firewood, plants, magazines, it can hold everything and you can even sit on it. Dynamic and flexible: it adapts to every space and every function.

The unexpected use of an object can revolutionise its identity.

The unexpected use of an object can revolutionise its identity. All you have to do is look at things from another point of view and an industrial container can be transformed, evolve, take on a new appearance and a new function. Crash can become a holder for firewood or pellets, a flower pot, a magazine rack, an umbrella stand.

Simplicity is synthesis, and Simple, light and roomy.

Simplicity is synthesis, ridding oneself of everything superfluous. A familiar, recognisable object is enriched by a particular detail that enhances its visual and tactile aspect, transforming it into something unexpected. Ten micron of colour. Simple, light and roomy, its content takes up a natural position, following the shape. The structure disappears.